Showing posts with label Concerts. Show all posts
Showing posts with label Concerts. Show all posts

Fred Wesley & the New J.B's - Live in Concert





Venue:
229
Date:
Mon, 02/07/2012 19:00
+ special guests Funkshon  
+ special guests The Impellers ( Mocambo / Freestyle )
DJ Greg Belson ( Hogwash, Los Angeles )
Fred Wesley is the trombonist, composer, arranger, bandleader and author known worldwide as one of the architects of funk music. Fred's work with Godfather of SoulJames Brown in the 1970s established him as the world's funkiest trombonist. He is also famed for his worko with George Clinton, Bootsy Collins,m Parliament, Funkadelic, the Count Basie Orchestra, Ray Charles, Van Morrison & Cameo.
Along with Maceo Parker & Pee Wee Ellis, Fred Wesley makes up the classic JB's Horns who guest with other artists such as Lenny Kravitz, The Red Hot Chili Peppers and many more.
Fred Wesley is responsible for many rare groove anthems such as "House Party", "Blow Your Head", "Use me", "Same Beat", "Rockin' funky watergate" and many more.
The New JB's are Fred Wesley ( Trombone ), Ernie Fields Jr. ( Saxophone ), Bruce Cox ( Drums ), Dwayne Dolphin ( Bass ), Reggie Ward ( Guitar ), Peter Madsen ( Keys ), Barney McCall ( Keys ), Gary Winter ( Trumpet ).
This summer sees the release of the great lost Fred Wesley & the JB's album "Watermelon Man" which was originally due for release in 1973 on People Records but has been in the vaults until now.

ANDREW ROACHFORD


ANDREW ROACHFORDJun 16 2012 7:00 pm  Jazz Cafe,Parkway,Camden,London


Andrew ROACHFORD
Ever since bulldozing his way onto the scene with unforgettable tracks like 'Cuddly Toy' and 'Family Man' in the late 80s, Andrew Roachford's maverick take on music has spread far and wide. As the first artist to sign a staggering seven-album deal with Columbia Records, it heralded the beginning of something big. "Getting signed and being a black British artist gave me a sense of pride" enthuses Andrew. 

Born into a musical dynasty, his uncle Bill Roachford was a virtuoso saxophonist . The musical ball really started to roll however, when Andrew hit the road with his uncle. Playing gigs on the jazz circuit in those days, gave him a good grounding for things to come. "I got lucky enough to start gigging when I was about 14. I was in the middle of that whole jazz scene which was an interesting education. It taught me musically, how to listen and how to entertain. My uncle always told me that you had to give people a show." The past five years have seen Andrew writing and singing on everything from top-five selling international dance tracks to co-writing and touring with Mike and the Mechanics.Andrew Roachford is back with a stunning new album - ‘Addictive’, This powerfully emotive and soulful album brilliantly showcases Andrew’s unique song writing style that has been described as his edgiest sound to date.

The S.O.S Band


THE S.O.S. BAND

Jun 01 2012 7:10 pmhttp://venues.meanfiddler.com/jazz-cafe/full-listings/featured-gigs/6771

The legendary SOS Band were founded in Atlanta, Georgia in 1977. Originally known as Santa Monica, the 'SOS' stands for Sounds of Success. The band, fronted by Mary Davis, was initially famous for 2million selling smash the hit "Take Your Time (Do It Right)" in 1980.
In 1983, they joined forces with then new production team of Jimmy Jam and Terry Lewis, who went on to craft a string of R&B hits for the group, including "Just Be Good to Me""Tell Me If You Still Care""Borrowed Love""No One's Gonna Love You", "Just the Way You Like It" and "The Finest".
"Just Be Good to Me" was famously covered in 1990 by Beats International (aka Norman Cook or Fatboy Slim); the resultant song made its way to UK number one single as "Dub Be Good to Me". The song was reworked with the bass line of The Clash's "Guns of Brixton". It was also covered by Shayne Ward on his 2007 album, Breathless. The song "Tell Me If You Still Care" was covered in 1995 by fellow Atlanta native Monica on her debut album Miss Thang and sampled by Janet Jackson in her 2006 hit "Call On Me. The Bingoboys performed a cover of "Borrowed Love" as the follow-up single to their 1991 dance hit "How to Dance". In 1996 the instrumental track of "No One's Gonna Love You" was used by Maxwell on a remix of his hit "Ascension (Don't Ever Wonder)" aptly retitled "Ascension (No One's Gonna Love You, So Don't Ever Wonder): The Tribute".
Lead vocalist Mary Davis left the group in 1987 to pursue a solo career, and was replaced by Chandra Currelley beginning with the band's 1989 Diamonds in the Raw album. More recently, Currelley has been active as an actress and vocalist in Tyler Perry plays and films. When Davis’s solo career was not as successful as she hoped, she eventually reunited with the band in 1994.

SHADOWBALL with Julian Joseph/Cleveland Watkiss






HMDT MUSIC PRESENTS SHADOWBALL. At the Drum- Birmingham.
Thu 24 May, 7.30pm and Fri 25 May 1.30pm & 7.30pm £8 (£6) Auditorium.
http://www.the-drum.org.uk/event/shadowball

In a time of segregation, when jazz and baseball flourished, a courageous group of men struggled to achieve their dreams despite the odds. This compelling new jazz opera tells the fast-paced story of Negro League baseball players whose talents went unacknowledged whilst their jazz compatriots reached stardom by defining a new art form. Julian Joseph’s swinging score inspired by the era of Ellington and Armstrong offers a lively evening of home runs, peanuts and Cracker Jack, which is great fun for all the family! Julian & his band & Cleveland Watkiss will also be performing at this incredible theatre performance.  Julian Joseph Music Mike Phillips Libretto

To book your tickets online you will be transferred to www.theticketsellers.co.uk an additional booking fee may be incurred. Your tickets will not be sent out to you but will be kept at The Drum for collection on the day of the performance. How else can you book your tickets? 1. By phone Call our friendly Box Office team on 0121 333 2444 who’ll book your tickets for you 2. In person Pop down to The Drum & both book and collect your tickets in person 3. By email Drop our box office an e-mail on boxoffice@the-drum.org.co.uk, state the name and date of the performance you wish to book and a preferable day and your number and the time you’d like to be called back.

Roberto Fonseca

Saturday 26th May 2012
The apex
One of the most brilliant young jazz musicians to come out of Cuba, this Buena Vista Social Club prodigy has grabbed traditional Cuban music by the horns and drawn it, hot, stylish and sultry, into the 21st century.

His new album, YO, looks back to his Caribbean roots while striking forwards with red-hot rooves, electronic beats and sensuous lyricism that effortlessly updates Cuba's musical lineage.
“It’s a heartbeat for contemporary Afro-Cuban life.” Times
“A fabulously gifted pianist, composer and band leader with a gift for melody that outshines more celebrated peers…one of a new breed who can transcend musical boundaries through sheer quality” Guardian
Tickets are £16 (with £5 for under 22 year olds), show starts approx 8pm
Groups of x10 or more can get discount of £1 per ticket please call the box office on 01284 758000 to claim this concession.
the apex, Charter Square, Bury St Edmunds, IP33 3FD
Bury St. Edmunds Council the apex is owned and managed by St Edmundsbury Borough Council.


Julian Joseph & Russian violinist Viktoria Mullova



Russian violinist Viktoria Mullova is renowned for virtuoso interpretations of the core classical repertoire both in concert and on disc. This evening she shows a different side to her artistic persona as she is joined by an all-star ensemble including her husband, cellist Matthew Barley and jazz pianist Julian Joseph with a programme that shows the enormous influence of gypsy music on classical and jazz music in the 20th century. Programme ranges from duets for violin and cello by Bartok, an ode to Django Reinhardt by jazz composer John Lewis and compositions by fusion band, Weather Report. An unmissable evening with an extraordinary artist.
Sponsored by Music Sales Bury St Edmunds Festival, Tuesday 22 May, 7.30 pm.
Tickets are £23/£18 (with £5 for under 22 year olds), show starts approx 7.30pm
Groups of x10 or more can get discount of £1 per ticket please call the box office on 01284 758000 to claim this concession.
the apex, Charter Square, Bury St Edmunds, IP33 3FD
Bury St. Edmunds Council the apex is owned and managed by St Edmundsbury Borough Council.

Xantone Blacq

22nd MAY 2012
20.05 Xantoné Blacq presents West London Soul Society, Old Pack Horse, Chiswick High Road, London. W4 5TF 4-6pm FREE ENTRY

Vocalist, pianist and songwriter Xantoné Blacq's music is a sonic adventure fusing Jazz, Funk, Soul and Pop with music from around the world.

He recently toured with Amy Winehouse and Nigel Kennedy.

Xan describes his own sound as ' free-range sunshine music'... Think Quincy Jones, Herbie Hancock and Stevie Wonder in the making...

Xantoné's first single releases were "Search For The Sun" and "The Dance" both receiving critical acclaim and club/radio airplay from international luminaries including Masters At Work, Gilles Peterson, Kyoto Jazz Massive and Jazzanova.

Xan has since remixed and recorded for groundbreaking international labels including Warner Music/Dro (Spain), Compost Records (Germany), Trama Records (Brazil) and Loop (New Zealand). He is also a highly sought after feature artist performing live for Amy Winehouse, Nigel Kennedy and on the latest albums of Bruno E, Big Bang, Delgui, Soul Vigilantes.

Gilberto Gil with the London Symphony Orchestra



Gilberto Gil with the London Symphony Orchestra

Gilberto Gil with the London Symphony Orchestra

Strings and Rhythm Machines

4 July 2012 / 19:30
Barbican Hall


Tickets:
£20 - 35




Iconic South-American singer-songwriter Gilberto Gil is joined by the London Symphony Orchestra and conductor Francois-Xavier Roth for an evening featuring new arrangements by Jaques Morelenbaum of his own songs, alongside music originating from and influenced by his beloved Brazil.

Gil’s infectious music, with its inimitable combination of rock, roots, samba and reggae, has represented the cosmopolitan sounds of Brazil for the last 46 years, whereas the rich and colourful works of composer Villa-Lobos fuse earlier folk and native tunes with European classical traditions.

Programme:
Villa-Lobos Zoé Act 1: Danca Frenetica
Villa-Lobos Amazonas
Milhaud Saudades do Brasil
Villa-Lobos Chôros No. 10 Rasga o Coração

Selected songs by Gilberto Gil arranged by Jaques Morelenbaum

Gilberto Gil vocals/guitar
Bem Gil guitar
Jaques Morelenbaum cello
Nicolas Krassik violin
Gustavo di Dalva percussion

London Symphony Orchestra
Francois-Xavier Roth
conductor
London Symphony Chorus

Robert Glasper Experiment ft. Bilal


Robert Glasper; ft. Bilal
With Casey Benjamin; Derrick Hodge; Mark Colenburg

Monday: 14 May Time: |7:30PM LONDON Barbican

Silk Street
London
EC2Y 8DS
Robert Glasper Experiment 2012

Robert Glasper has long kept one foot planted firmly in jazz, and the other in hip hop. His latest project is no exception. Following two sell-out shows at the 2011 London Jazz Festival, Glasper returns to London to mark the launch of Black Radio, a future landmark album for Blue Note that boldly stakes out new musical territory, drawing on jazz, hip hop, R&B and rock, but refusing to be defined by any one genre.

LARRY GRAHAM & GRAHAM CENTRAL STATION

 


Venue Clapham Grand 21-25 St John's Hill, Clapham Junction, London, SW11 1TT, United Kingdom
          Date: Mon, 10/09/2012 19:00
 AGMP presents LARRY GRAHAM & GRAHAM CENTRAL STATION £25 downstairs standing / £30 Balcony unreserved / £250 Royal Box
Legendary Bass player and inventor of the "Slap Bass" style of playing performs with his full USA band at this exclusive London concert.
Larry Graham was an integral member of Sly and the Family Stone and has spent recent years performing as part of the the Prince Band. He supported Prince at the recent Hop Farm Festival in July. A new album is being released as part of his European tour in November. This will be the only UK show.
Support on the night comes from Freestyle Records signing's The Fantastics! featuring Sulene Fleming.

FRED WESLEY & THE NEW J.B.'S

Venue: 229 Great Portland Street, W1W 5PN, United Kingdom
Date: Mon, 02/07/2012 19:00
  
Fred Wesley & the New J.B's - Live in Concert + special guests Funkshone + special guests The Impellers ( Mocambo / Freestyle )+ DJ's          Fred Wesley is the trombonist, composer, arranger, bandleader and author known worldwide as one of the architects of funk music. Fred's work with Godfather of SoulJames Brown in the 1970s established him as the world's funkiest trombonist. He is also famed for his worko with George Clinton, Bootsy Collins,m Parliament, Funkadelic, the Count Basie Orchestra, Ray Charles, Van Morrison & Cameo.
Along with Maceo Parker & Pee Wee Ellis, Fred Wesley makes up the classic JB's Horns who guest with other artists such as Lenny Kravitz, The Red Hot Chili Peppers and many more.
Fred Wesley is responsible for many rare groove anthems such as "House Party", "Blow Your Head", "Use me", "Same Beat", "Rockin' funky watergate" and many more.
The New JB's are Fred Wesley ( Trombone ), Ernie Fields Jr. ( Saxophone ), Bruce Cox ( Drums ), Dwayne Dolphin ( Bass ), Reggie Ward ( Guitar ), Peter Madsen ( Keys ), Barney McCall ( Keys ), Gary Winter ( Trumpet ).
This summer sees the release of the great lost Fred Wesley & the JB's album "Watermelon Man" which was originally due for release in 1973 on People Records but has been in the vaults until now.

Incognito + very special guest Mario Biondi

 
 Venue Islington Assembly Hall Date: 2 nights Thu, 24/05/2012 19:00 & Fri, 25/05/2012 19:00
+ very special guest MARIO BIONDI
Incognito’s “Surreal” is one of the band’s freshest, most creative albums and sees the addition to their line-up of two outstanding new vocalists in Natalie Williams, UK jazz scene luminary,  and 26-year-old German-born singer-songwriter Mo Brandis. 
Incognito founder Jean-Paul “Bluey” Maunick originally wrote more than 30 songs for the project and whittled them down to the 14 selected for the finished album. 
The formula is beautiful songs over a bed of fluid bass lines and irresistible drum grooves, and the album reflects the energy of the band’s live shows, while adding a raw edge to their customary slick studio productio 
Mo Brandis, born in Hamburg but brought up in Swaziland, began singing with Incognito on their live dates last summer.   An accomplished pianist and sax player, he has already enjoyed success as a songwriter, responsible for a No 2 hit and Gold album in Germany last year.  Mo sings and co-wrote the first single “Goodbye To Yesterday”, as well as the equally hooky “Don’t Wanna Know”.  Bluey enthuses: “If there’s a young vocalist who can deliver on both sides as a modern R&B singer and a soulful old school crooner, it’s Mo”
Bluey is equally enthusiastic about the qualities that Natalie Williams - one of the most in-demand jazz-soul vocalists in London - brings to the band. “I first became aware of her when we played Ronnie Scott’s club and she was the singer with the house band - I thought she was amazing and began a pressure group to persuade this super busy bee to join us, which she finally relented to, with help from our keyboard player Matt Cooper”.
Natalie contributes the soulful “Above The Night” and the sparse Seventies-style bossa nova “The Stars From Here” as well as “Restless As We Are”.   Vocal powerhouse Vanessa Haynes, who joined Incognito two years ago, is in blistering Loleatta Holloway-esque form on the album’s one cover song, “Ain’t It Time”, a little-known Seventies disco tune. 
Long-time Incognito fans will be happy that there are two driving instrumentals -  “Rivers On The Sun” and “Thoughtful Fantasies”, the latter continuing Bluey’s passion for Brazilian jazz funk with all horns blazing, and percussion breaks.
The band perform a 10-day US tour beginning March 28, and then begin several months of touring throughout the UK and Europe in support of the new album.   They play London’s Islington Assembly Hall on May 25  ( and an extra date on May 24 by overwhelming demand ), with special guest Mario Biondi.

YolanDa Brown


Cabot Place, Canary Wharf
London, E14 4QT
Friday, June 01, 2012 9.30PM
How to modestly undersell a new artist when everything about them warrants a shout across the rooftops?
Frankly, it isn't easy, because by simply stating all that YolanDa Brown has achieved over these past few years in music - and she has done so entirely under her own steam - it really is difficult not to wander into the path of hyperbole.
So let us start by asserting that YolanDa Brown is a one-off, very much a woman of her time, and one of the precious few truly independent artists whose DIY ethic hasn't hindered the progress of her career but instead has laid the kind of foundations that could endure for decades.
As much entrepreneur as she is musician, as much gifted singer-songwriter as she is the UK's premier saxophonist, this is a young lady with an entrepreneurial bent who, in 2012, is going to make a considerable mainstream splash, her name in lights at last.
After several years on the jazz circuit, not just London's jazz circuit but, as we shall see, the world's, she has now released her debut album, April Showers, May Flowers,and that will surely see her cult reputation brought to the fore. This is an album of effortless unfurling grace and impeccable soulful poise. It is the product of a two-time MOBO Award winner who knows exactly what she is doing, and precisely how to do it.
"People often ask me what my target audience is," she says. "Thing is, when I look out into the audience at my shows, I can't really tell. I see all sorts: all ethnicities, all ages, either sex. So really, I guess, I'm making music for everyone." She smiles broadly. "I mean, why limit yourself?"


Errol Linton


Cabot Place, Canary Wharf
London, E14 4QT
Thursday, May 31, 2012 9.30PM
Errol Linton remains one of London’s hidden treasures. The Brixton harmonica blaster, singer and songwriter, has made a living playing his highly original and distinctive Brixton blues for two decades.
Back in June Erroll released his third album Mama Said on Ruby Records and he might just be about to receive the attention he deserves. The 12 songs on Mama Said distill Errol mercurial talent - both loving and acoustic and tough and electric. And as he sings of contemporary urban hassles then reflects on a child putting 10p in the gas meter Errol Linton draws a lyrical portrait of working class London life. ‘Mama Said’ is a tough blues based on all the things his mother used to say to him. ‘Hooked On Your Love’ is a love song to his wife, Maggie, a London bus driver for many years.
Songs like ‘Stressed Out’, a contemporary London blues about how modern life adds to our stress levels, should soundtrack any report on the recession and rising prices while the lyrical detail of ‘Roll On Tomorrow’, about growing up in Brixton’s Acre Lane as the child of Jamaican immigrants in the 70s, is worthy of Squeeze or The Kinks. J.Y.’s’ is a nostalgic instrumental referring to a hill in Jamaica where his grandfather built the family’s home. And finally, ‘Through My Veins’ is a song about his relationship with the city of London.

Omar


Publicity shot of Nu-classic british Soul Omar

Omar with Soul Purpose at London's best live jazz club Hideaway!Friday 11th May, Tickets £15, Doors 7pm, Music 9pm (2 sets, approximate finish 11.30pm)

Hideaway favorites Soul Purpose come back to Hideaway for a  special 2 night collaboration with the Godfather Of UK Neo Soul Omar. First set will see Soul purpose bring their unique brand of Funk, R&B and Soul with their trademark sound to the stage, then in the second set they will be joined by Uk legend Omar, who they will then back as he performs his hits and more, that have been with us for more than 15 years. This will be 2 nights that you wont want to miss, as Hideaway favorites Soul Purpose and Omar come together for a unique night of Soul & Funk. Be there!
You can also hear Omar's recent Radio 1 interview, which includes his work with Stevie Wonder here!
Brian Henry: Keyboards / Talkbox
Katie Leone: Vocals
Chris Ballin: Vocals
Ernie McKone: Bass
Isaac Kizitso: Drums
Rob Harris: Guitar

Omar, the 'Father of British Neo-Soul
One of the British Soul scene’s most influential figures since the early 90s, vocalist Omar is currently celebrating the re-release of classic album, Sing (If You Want It) – and yet another smash hit single that’s been keeping dance floors packed across the nation.
The Sing (If You Want It) album - featuring collaborators including Stevie Wonder, Estelle, Common and Angie Stone – was re-released in July 2011 with the addition of two new bonus tracks (one of which, the Zed Bias collaboration 'Dancing', has been riding high on the BBC 1Xtra playlist).
Omar’s sixth album, Sing (If You Want It) is a bona fide soul classic and was all set to tip the UK soul sensation into the pop-star realm, once and for all, on its release in 2005. However, a series of setbacks – not least the sudden collapse of the record label involved, a week after release – severely dented its chances of breakthrough success. Hardly a flop, it impressively still sold over 50,000 copies, but as Tru Thoughts A&R and long-time Omar fan Robert Luis says, “it was so heavily anticipated, and with collabs from the likes of Stevie Wonder...well, everyone knew it could have sold ten times that”.
Having recently made contact with Omar through his work on Maddslinky’s 2010 album, Make A Change, Robert Luis found himself chatting to his soul hero about how they could work together to re-promote Sing (If You Want It), as well as some exclusive new material that he had bubbling away, and this new, augmented version of the album is the result.
The 'Dancing' single highlights Omar’s continuing appeal in today’s music scene. Tearing up radio and clubs across the UK and beyond, it is currently sitting pretty on the BBC 1Xtra playlist; also picking up plays from BBC Radio 1’s Rob Da Bank, MistaJam and Trevor Nelson, and across Kiss FM, Choice FM and other stations.
Omar’s enviable career – which has seen him sell over half a million records - first started taking shape more than 20 years ago, when his debut single for indie label Kongo Dance made him a hot name on London’s underground. Then came the hit 'There’s Nothing Like This', in 1992, which captured the imagination of soul fans the world over; Stevie Wonder declared himself a fan on first hearing it, and vowed to work with him. Further releases on Gilles Peterson’s label, Talkin’ Loud, were followed by a move to RCA, for whom he cut two albums (including 1994’s For Pleasure, on which he worked with legendary Motown producers Leon Ware and Lamont Dozier), notching up critical acclaim and introducing him to several more of his musical heroes and heroines.
In 2000, now the leading icon of the UK’s resurgent soul movement, Omar released his fifth LP, on French imprint Naïve Records; Best By Far was a self-produced set on which his interest in cinematic soundtracks and jazz rose to the surface. This time, Erykah Badu and MOBO winner Kele Le Roc came good on their promises to work with him. Robert Luis summarises: “Omar is just a hugely influential and talented artist, and importantly he has always been respected by fellow musicians, which is proved by all the people queuing up to collaborate with him.”
With Sing (If You Want It) Omar embarked on a new phase of his career, one designed to bring him directly to a wider public than ever before. With the sheer quality of the music, underpinned by the world’s finest on collaborations, the album’s hit potential was clear; now this reissue is set to bring it back into the limelight, and into the record collections of many old and new Omar fans around the world

Soul Purpose are the Soul, Groove and Funk outfit guaranteed to get the party started on a Friday night. Led by writer and producer Brian Henry, this collective of top artists always fill the night with energy because they’re making the music they love, the way they love it, and the way you love it too. Grab your dancing shoes, boogie boots or whatever other funky footwear you like to get down in and book for this one before it sells out.

Ernesto Simpson

 

Forge Venue presents:

Global Sounds

+ Ernesto Simpson + his Latin Jazz Explosion

Thursday 7 June @ The Forge, London

DescriptionIn Basket Price S/C Quantity
General Admission (e-ticket)
£10.00£1.00
Brandon Allen – tenor & soprano saxes
Quentin Collins – trumpet & flugelhorn
Will Fry – Latin percussion
Micheal Curtis Ruiz- elec. bass
Robert Mitchell – piano & keys
Ernesto Simpson – drums & latin percussion

World class Cuban drummer Ernesto Simpson proudly presents a rare London date with his Latin Jazz Explosion.
From the very beginning of his career, Ernesto has been playing with Dizzy Gillespie, Carmen McRae, Chucho Valdes, Arturo Sandoval, Herbie Hancock, Michael Brecker, Paquito D’Rivera, Mike Stern, Roy Hargrove, Airto Moreira, Tito Puente, Ray Barretto, Giovanni Hidalgo and most recently Richard Bona and Gonzalo Rubalcaba.
Ernesto’s life experience has taken him across continents and exposed him to numerous musical genres, from his roots in Camaguey Cuba to Jazz, Funk, Fusion, Pop, R&B, and Brazilian. Having spent seven years on the New York scene, Ernesto has selected the finest and most energetic modern Latin Jazz repertoire, (including the compositions of Ralph Irizarry, Danilo Perez and Samuel Torres) played by some of the finest musicians in London.
“Global Sounds” is a collection of world class artists from all musical backgrounds brought together for a festival at two of the best venues in Camden Town – The Forge and Green Note.  The artists taking part hail from all over the Globe – the UK, Colombia, Poland, Gambia,  Cuba, Venezuela and the United States of America. The musical scope of their performances will be even wider.
Global Sounds is curated by Magnus Mehta.
Performance Details:
8pm – Doors
8:30pm – performance
Loyalty Card Holders – this concert does NOT apply to our loyalty scheme
It is NOT possible to dine DURING the performance
The Forge can accept only cash on the door

Orphy Robinson and Rowland Sutherland

 
Forge Venue presents:

Global Sounds – In Duet

+ Orphy Robinson and Rowland Sutherland + Paul Clarvis and Liam Noble

Sunday 10 June @ The Forge, London

DescriptionIn Basket Price S/C Quantity
General Admission (e-ticket)

£8.50£1.00
A extremely rare opportunity to hear four of the most exciting and sought after musicans in the UK in the beautiful, intimate acoustics of the Forge.
Orphy Robinson – tuned percussion
Rowland Sutherland – flute
Paul Clarvis – percussion
Liam Noble – piano
“Global Sounds” is a collection of world class artists from all musical backgrounds brought together for a festival at two of the best venues in Camden Town – The Forge and Green Note.  The artists taking part hail from all over the Globe – the UK, Colombia, Poland, Gambia,  Cuba, Venezuela and the United States of America. The musical scope of their performances will be even wider.
Global Sounds is curated by Magnus Mehta.
Performance details:
Doors open at 7.30pm, music starts at 8pm
Loyalty Card Holdlers – this concert does NOT apply to our loyalty card scheme
It is NOT possible to dine during this event
The Forge can accept only cash on the door
Vibraphone player Orphy Robinson and Flautist Rowland Sutherland are well known for their technical brilliance and creativity on a variety of instruments, and have a well documented history of collaboration.  During the mid 80s Orphy and Rowland were key members of The Jazz Warriors – a hugely influential big band initiated by Courtney Pine, whose mission was to celebrate black British musicianship
Fellow Warrior Gary Crosby describes the group:
“I’ve never felt anything like that energy – raucous, raw …the power and the wildness of the soloing, it was so exciting….. once we got to the meat of the music, there were fireworks… “
The pair have collaborated on projects that include Orphy’s Blue Note recordings and bands such as Annavas, Creative Force, and the Nubian Vibes Ensemble.  Both musicians bring a wealth of experience to the stage drawn from their work with many leading artists. Their credits include: Airto, Nigel Kennedy, David Murray, Andy Sheppard, Jazz Jamaica, the London Improvisors Orchestra, Joss Stone, Mica Paris, the Gnawa Musicians of Morrocco, Olodum, The Philharmonia, Jean Toussaint and Frank Wess.
Percussionist Paul Clarvis and pianist Liam Noble are highly regarded for both their solo output and for their work with artists such as Herbie Hancock, James Taylor, Nina Simone, Wynton Marsalis, Harry Beckett and many others.  Through his “Village Life” label, Paul has recorded countless albums with many of the greatest musicians in the UK, and he is renown as a session musician, having played on hundreds of movie scores such as Stars Wars, and the Bourne Ultimatum.
Liam is one of the world’s most sophisticated pianists having achieved notoriety through his releases on Basho records. Dave Brubeck heralded that Liam’s “Brubeck” recording was “an inspiration and a challenge for me to carry on in the avenues you have opened”
Liam talks about his duo with Paul:
“Paul and I met playing with American composer Moondog.  We devised a duo to play a medley of West Side Story music, but eventually abandoned that project and started to interpret a variety of songs from both the jazz and popular music worlds….the music we play is a free improvisation on these songs with an emphasis on space and melody…”
In 2006 the pair recorded at Abbey Road studios. “Starry Starry Night” – a tribute to Clarvis’ father – was the result, described by the Guardian as: “exquisite and casually joyous music making between consummate improvisers”

Cleveland Watkiss Solo Concert



Soulful, jazzy and spiritual – these one-off performances have been described as the highlight of the season in Jazz Festivals worldwide.
SOLO VOICE Cleveland Watkiss presents:
VocalSuite, an amazing vocal experience PLUS an interactive performance with the World Heart Beat Music Academy, led by Cleveland Watkiss.
VENUE: TESTBED 1
33 Parkgate Rd, London SW11 4NP
19 May 2012, 8pm
Free entry, no booking necessary
He combines samplers, digital technology and the human voice to create mind blowing orchestral soundscapes. Blending harmonies, percussion and basslines – all made by his voice alone and switching effortlessly from lead/lyrics to bass lines, falsetto scats to human beat box, Watkiss’ breathtaking vocal range moves seamlessly between musical cultures.
VocalSuite is an exciting vocal improvisation concert that uses the atmosphere of the venue, the mood, and the interactivity of the audience to present a performance created in the moment. It makes seamless links between musical cultures from Africa to Europe, creating the sound-scapes of an orchestra, all through the human voice. It can only be described as an amazing vocal experience.
“confidently delicate, with carefully sculpted melodies, intriguing textures and real drive.”  – BBC
“An original work from a unique British talent”  – Blues & Soul
Cleveland Watkiss is Britain’s leading jazz vocalist. This concert presents his VocalSuite and an interactive performance that has been developed in workshop style with the students of the World Heart Beat Music Academy led by Cleveland Watkiss
This is an exciting vocal improvisation concert that uses the atmosphere of the venue, the mood, and the interactivity of the audience to present a performance created in the moment. It makes seamless links between musical cultures from Africa to Europe, creating the sound-scapes of an orchestra, all through the human voice. It can only be described as an amazing vocal experience.
Cleveland will combine samplers, digital technology and the human voice to create mind blowing orchestral soundscapes. Blending harmonies, percussion, basslines all made by the voice alone and Watkiss’ breathtaking vocal range –and switching effortlessly from lead/lyrics to bass lines, falsetto scats to human beat box.
http://www.testbed1.com/

SOUL II SOUL

Venue: Islington Assembly Hall

Date:  Thu, 29/11/2012 19:00  
Fee: £27.50
 
Led by producer/vocalist/songwriter Jazzie B., Soul II Soul are one of the most innovative dance/R&B outfits from the UK, creating a seductive, deep R&B that borrowed from Philly soul, disco, reggae, and '80s hip-hop. Originally featuring Jazzie B., producer/arranger Nellee Hooper, and instrumentalist Philip "Daddae" Harvey, the musical collective came together in the late '80s. The group had a residency at the Africa Centre in London's Covent Garden, which led to a record contract with 10, a subsidiary of Virgin. Two singles, "Fairplay" and "Feel Free," began to attract attention both in clubs and in the press.

Featuring the vocals of Caron Wheeler, Soul II Soul's third single, "Keep on Movin'," reached the U.K. Top Ten in March of 1989. Released in the summer of 1989, "Back to Life" also featured Wheeler and became another Top Ten hit. Soul II Soul released their debut album, Club Classics, Vol. 1, shortly afterward, going to Number 1 in the UK & USA Charts.

Soul II Soul are back to perform an exclusive full live band show with Jazzie B, Caron Wheeler and more at Islington Assembly Hall after their sell out show at the Roundhouse in 2011.
This show will sell out quickly so get your tickets now.

Take 6

 

Venue:Ronnie Scotts Jazz Club, Frith Street, London.

Date: Thursday 12th July Ticket Prices: £50.00 - £75.00 

Doors open time First House 17:30 Second House 21:30

While vocal groups surge in popularity, GRAMMY award-winning super group TAKE 6 continues to set the standard for a cappella groups of this generation. The TAKE 6 story began at Oakwood College in Huntsville, Alabama, in 1980, when freshman Claude V. McKnight III formed a quartet known as the Gentlemen's Estate Club. When tenor Mark Kibble heard the group rehearsing in - of all places - a campus restroom, he joined in the harmonies and performed onstage with the group that same night.Mervyn Warren joined shortly after, and the group briefly took the name of Alliance. They performed in local churches and on campus for the next few years, with personnel changing frequently as older members graduated and new voices arrived on campus to replace them.After college, the group signed with the Warner Brothers label in 1987 and changed their name to TAKE 6. Their self-titled debut album, released the following year, scored two GRAMMY Awards and landed in the top ten on Billboard's Contemporary Jazz and Contemporary Christian charts.The group's swinging, harmony-rich gospel sound attracted a flurry of attention, and the group went on to record or perform with numerous jazz luminaries, including Quincy Jones, Ella Fitzgerald and Stevie Wonder.The 1990 followup album, So Much 2 Say, was equally successful, climbing to the number 2 spot on Billboard's Contemporary Jazz chart and scoring a GRAMMY for Best Contemporary Soul Gospel Album. Warren left the group a year later to pursue a career as a producer. He was replaced by Joey Kibble, Mark's younger brother.The group added instrumentation to their purely a cappella sound beginning with the 1991 holiday release, He Is Christmas. The album scored yet another GRAMMY, this time for Best Jazz Vocal Performance. A string of finely crafted recordings continued throughout the remainder ofthe decade: Join the Band (1994), Brothers (1996), So Cool (1998) and a second holiday album, We Wish You a Merry Christmas (1999). Join the Band and Brothers were both GRAMMY winners.In 2000, TAKE 6 released a live recording  and a best-of collection, followed by Beautiful World in 2002. The group left Warner Brothers after Beautiful World and launched their own TAKE 6 label. Their maiden voyage in the new venture was Feels Good, released in 2006.TAKE 6 joined Heads Up Records with the release of The Standard in August 2008. The album includes guest appearances by R&B luminaries Aaron Neville and Brian McKnight (Claude's brother), as well as veteran jazzmen George Benson, Al Jarreau and Jon Hendricks. "While we sing lyrics that always exemplify our spiritual and moral convictions, what we really are at the core is a jazz vocal group," says Dave Thomas, a member of the Take 6 lineup since 1985. The Standard garnered three GRAMMY nominations in 2009 for Best Gospel Performance, Best Instrumental Arrangement Accompanying Vocalist(s), and Best Jazz Instrumental Solo.In 2010, teaming again with Heads Up, TAKE 6 released a third Christmas album featuring holiday favorites and classic Christmas standards titled, The Most Wonderful Time of the Year. The album climbed to the top 40 spot on Billboard's U.S. Jazz charts.To date, TAKE 6 has won 10 GRAMMY Awards, 10 Dove Awards, one Soul Train Award, received two NAACP Image Award nominations, and holds the distinct honor of being the most GRAMMY nominated vocal group in history.May, 2011, two years before the 25th anniversary of TAKE 6's first commercial release, Cedric Dent announced his departure as a principal member of the group. "It has been perhaps one of the most difficult decisions I have had to make in my adult life," Cedric shared with fans.While Dr. Dent no longer tours with TAKE 6, he continues to work with the group behind the scenes contributing musical arrangements and offering assistance when needed. Cedric's decreased role allows him to pursue other creative endeavors, including further composing and arranging, music research, teaching, consulting, writing books, and spending time with his family. As a member of the faculty at Middle Tennessee State University (MTSU), Dent takes a leading role raising funds for the TAKE 6 Vocal Jazz Scholarship program, further contributing to the TAKE 6 legacy.Multi-talented music producer, musician, and baritone, Khristian Dentley, replaces Dr. Dent on the road and in the day-to-day operations. Dentley has filled in for Cedric off and on since 2004, developing a strong rapport within the group, as well as TAKE 6 audiences throughout the world!